01. The Goal
Before being laid off from MBA Productions, I was experimenting with compressing high-end live show pitch timelines. The goal here was to build a full, cinematic product reveal tailored for massive, triple-widescreen event LEDs (48:9 aspect ratio)—and do it in a single afternoon.
02. The 6-Hour Pipeline
Instead of spending days waiting on storyboards, 3D models, and rendering, I orchestrated a fast-paced generative pipeline to handle everything from concept to final edit in just one afternoon:
Hour 1: Direction & Scripting (Claude or Gemini)
Used Claude and Gemini to generate the entire synchronized production blueprint—the VO script, art direction guidelines, and exact prompts for images, video, and music.
Hours 2–3: Visual Assets & Audio Generation (Nano Banana 2 or Pro / ElevenLabs)
Sourced web reference images to generate dynamic automotive frames and environments matching the Hour 1 art direction. Simultaneously used ElevenLabs to generate both the clean, professional voiceover track and the driving electronic soundtrack.
Hour 4: Adding Motion & Video Gen (Google Flow and Seedance 2.0)
Ported the static assets into video models to generate cinematic pans, tracking shots, and vehicle motion.
Hours 5–6: Timeline Editing & Export (Premiere/After Effects)
Everything came together inside Adobe Premiere Pro and After Effects. The vehicles and footage were edited right on the Premiere timeline, while the "Final Show" theme logo was built from scratch in After Effects and Dynamically Linked back into the main edit to keep the pipeline seamless.
Designing for a native 5760×1080 canvas means designing for peripheral vision. I anchored the main vehicle hero shot dead center, while the supporting vehicle footage flanked the sides to create an immersive, wrap-around experience. The entire edit builds right into the theme logo animation, perfectly synced to the audio beats.
